Allan Casebier
(1991). Film and phenomenology: toward a realist theory of cinematic representation., Cambridge University Press, Cambridge.
(2014). Husserl's ambitions for a phenomenology of the arts. Glimpse 15, pp. 1-5.
(1988). Transcendence, transparency, and transaction: Husserl's middle road to cinematic representation. Husserl Studies 5 (2), pp. 127-141.