Metalepsis as ostranenie?

Donska Marya

Repository | Book | Chapter

(2024) A hundred years of ostranenie, Genève-Lausanne, sdvig press.

Metalepsis as ostranenie?

"A school for fools" by Saša Sokolov and estrangement of the strange

Marya Donska

pp. 277-302

Download

Publication details

Full citation:

Donska, M. (2024)., Metalepsis as ostranenie?: "A school for fools" by Saša Sokolov and estrangement of the strange, in H. Meyer & A. Berlina (eds.), A hundred years of ostranenie, Genève-Lausanne, sdvig press, pp. 277-302.

Text References

References

Ontological metalepsis and unnatural narratology

2012

Alice Bell, Jan Alber

Journal of Narrative Theory 42/2

Translator's introduction

2017

Alexandra Berlina

in: Viktor Shklovsky, London : Bloomsbury

Viktor Shklovsky: a reader

2017

Alexandra Berlina (ed)

London, Bloomsbury

Ostranenie, kenosis, and dialogue: the metaphysics of formalism according to Shklovsky

2005

Aleksej Bogdanov

The Slavic and East European Journal 49/1

Translator's note

2015

Alexander Boguslawski

in: A school for fools, New York : New York Review Books

Der metafiktionale Roman: Untersuchungen zur Prosa Konstantin Vaginovs

1998

Christine Bohnet

München, Sagner

"Ostranenie" v aspekte sopostavitel'noj stilistiki i ego peredača v perevode (na materiale anglijskogo i russkogo jazykov)

2007

Dmitrij Buzadži

Moskva, Moskovskij gosudarstvennyj lingvističeskij universitet

Metalepsis and mise en abyme

2012

Dorrit Cohn

Narrative 20/1

Bergson and Russian Formalism

James M. Curtis

Porjadok chaosa: Povestvovatel’naja struktura Školy dlja durakov S. Sokolova: povestvovatel'nye i soedinitel'nye ėlementy

2011

Natalia Danshina

Russian Literature 70/3

Das Potential der Metaebene: Explizite Metareferenz und ihre Entwicklung (am Beispiel des Werks von Saša Sokolov)

2019

Marya Donska

Salzburg, Universität Salzburg

O. Genri i teorija novelly

1927

Boris Ėjchenbaum

in: Literatura, Leningrad : Priboj

Shklovsky's "ostranenie" , Bakhtin's "vnenakhodimost': (how distance serves an aesthetics of arousal differently from an aesthetics based on pain

2005

Caryl Emerson

Poetics Today 26/4

Metanarrative and metafictional commentary: from metadiscursivity to metanarration and metafiction

2003

Monika Fludernik

Poetica 35

Mantissa

1982

John Fowles

New York, Little Brown

Memory, imagination and the liberating force of literature

1987

John Freedman

Canadian American Slavic Studies 21/3-4

Oper in der Oper: Potenzierung, ipsoreflexion, Mise en abyme auf dem Musiktheater

2001

Harald Fricke

in: Fiori musicologici, Bologna : Pàtron

Fiction and the figures of life

1970

William Gass

London, Vintage

Figures III

1972

Gérard Genette

Paris, Seuil

Making "things strange": the prehistory of a literary device

1996

Carlo Ginzburg

Representations 56

Textual effects of metalepsis

2014

Saartje Gobyn

Amsterdam International Electronic Journal for Cultural Narratology 7-8

Dead souls

1922

Nikolaj Gogol

London, Chatto & Windus

Mërtvye duši

1951

Nikolaj Gogol

Moskva, Izdatel'stvo Akademii Nauk SSSR

Metafiktion – ein "blinder Fleck" des Formalismus?

2008

Erika Greber

Poetica 40/1-2

Ich bin eine Buchperson: Zur Funktion metafiktionaler Schreibstrategien bei Giwi Margwelaschwili

2010

Frank Thomas Grub

in: Metafiktion, Berlin : Kulturverein Kadmos

Ostranenie – "snjatie pokrovov" i obnaženie priema

1994

Hans Günther

Russian Literature 36

Der russische Formalismus: methodologische Rekonstruktion seiner Entwicklung aus dem Prinzip der Verfremdung

1978

Aage A. Hansen-Löve

Wien, Verlag der Österreichischen Akademie der Wissenschaften

Narcissistic narrative: The metafictional paradox

1984

Linda Hutcheon

London, Methuen

A structural analysis of Saša Sokolov's school for fools: paradigmatic novel

1980

Barton D. Johnson

in: Fiction and drama in Eastern and Southeastern Europe, Columbus : Slavica

The perception of reality as deformed realism

2010

Miklós Kiss

in: Ostrannenie, Amsterdam : Amsterdam University Press

Metalepsis and its (anti-)illusionist effects in the arts, media and role-playing games

2009

Sonja Klimek

in: Metareference across media, Amsterdam : Rodopi

The prose of Sasha Sokolov: Reflections on/of the real

2013

Elena Kravčenko

London, Modern Humanities Research Association

Die "Verfremdung" und das "Neue Sehen" bei Viktor Šklovskij

1970

Renate Lachmann

Poetica 3

Un procédé narratif qui "produit un effet de bizarrerie": la métalepse littéraire

2005

Klaus Meyer-Minnemann

in: Métalepses, Paris : EHESS

Foregrounding, defamiliarization, and affect: response to literary stories

1994

David S. Miall , Donald Kuiken

Poetics 22/5

Poėtika sovremennoj metaprozy: Na materiale romanov Andreja Bitova

2001

Oksana Mirošničenko

Rostov na Donu, Južnyj federa'lnyj universitet

Metanarration als Lakune der Erzähltheorie: Definition, Typologie und Grundriß einer Funktionsgeschichte metanarrativer Erzähleräußerungen

2001

Ansgar Nünning

Arbeiten aus Anglistik und Amerikanistik 26

Metalepsis

2016

John Pier

in: The living handbook of narratology, Hamburg : Hamburg University Press

Evgenij Onegin

1995

Aleksandr Puškin

Moskva, Voskresen'e

Estrangement and the somatics of literature: Tolstoy, Shklovsky, Brecht

2008

Douglas Robinson

Baltimore, Johns Hopkins University Press

Šklovskij's concept of ostranenie and Aristotle's admiratio

1977

Peter Rossbacher

Modern Language Notes 92/5

Metaleptic machines

2004

Marie-Laure Ryan

Semiotica 150

La métalepse narrative dans la construction du formalisme russe

2005

Wolf Schmid

in: Métalepses, Paris : EHESS

Beyond metafiction: Self-consciousness in Soviet literature

1992

David Shepherd

Oxford, Clarendon Press

Parodijnyj roman: "Tristram Šendi" Sterna

1929

Viktor Šklovskij

in: O teorii prozy, Moskva : Federacija

O teorii prozy

1929

Viktor Šklovskij

Moskva, Federacija

Obnovlenie ponjatija

1966

Viktor Šklovskij

in: Povesti v proze II, Moskva : Chudožestvennaja Literatura

Evgenij Onegin (Puškin i Stern)

1969

Viktor Šklovskij

in: Očerki po poetike Puškina, The Hague : Mouton

Škola dlja durakov. Meždu sobakoj i volkom; Palisandrija; Ėsse

2011

Saša Sokolov

Moskva, Azbuka

"Vremja gotovit" novyj Renessans: Besedu vel Vladimir Čeredničenko

2014

Saša Sokolov

Oktjabr' 8

A school for fools

2015

Saša Sokolov

New York, New York Review Books

Priemy ostranenija: opyt unifikacii

2012

Evgenij Soškin

Novoe literaturnoe obozrenie 114

Ende der Handlung – Ende des Erzählens?: Die Romane Saša Sokolovs als Herausforderung für die Erzählanalyse

2012

Samuel Spycher

in: m*OST 2010, München : Sagner

Telling in time III: Chronology, estrangement, and stories of literary history

2006

Meir Sternberg

Poetics Today 27/1

The life and opinions of Tristram Shandy

2009

Laurence Sterne

Oxford, Oxford University Press

On perception, ostranenie, and specificity

2010

László Tarnay

in: Ostrannenie, Amsterdam : Amsterdam University Press

The politics of estrangement: the case of early Shklovsky

2005

Galin Tihanov

Poetics Today 26/4

Ostrannenie: on "Strangeness" and the moving image. The history, reception, and relevance of a concept

2010

Annie van den Oever (ed)

Amsterdam, Amsterdam University Press

Metafiction: The theory and practice of self-conscious fiction

1984

Patricia Waugh

London, Methuen

Sachwörterbuch der Literatur

2001

Gero van Wilpert

Stuttgart, Kröner

Ästhetische Illusion und Illusionsdurchbrechung in der Erzählkunst: Theorie und Geschichte mit Schwerpunkt auf englischem illusionsstörenden Erzählen

1993

Werner Wolf

Tübingen, Niemeyer

Metareference across media: the concept its transmedial potentials and problems, main forms and functions

2009

Werner Wolf

in: Metareference across media, Amsterdam : Rodopi

Is there a metareferential turn in contemporary arts and media

2011

Werner Wolf

in: Metareferential turn in contemporary arts and media, Amsterdam : Rodopi

"Unnatural" metalepsis and immersion: necessarily incompatible?