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(2014) Martin Heidegger on technology, ecology, and the arts, Basingstoke, Palgrave Macmillan.

The disenchantment of the world

Anthony Lack

pp. 1-7

The chapter introduces the central problematic in the text: that of the disenchantment of the world. Modern people reflect on their values, life conditions, and goals in a way that is markedly different from that of traditional people. Modern humans are much less deeply "embedded" in their socio-cultural horizon of values. Art also becomes philosophical and disenchanted. How can the philosophy of Martin Heidegger be understood as a response to the problem of disenchantment? What are the various modes and manners of reinvigorating a society that has become ratiocinated by instrumental rationality, egoism, and the domination of nature as resources for technical progress?

Publication details

DOI: 10.1057/9781137487452_1

Full citation:

Lack, A. (2014). The disenchantment of the world, in Martin Heidegger on technology, ecology, and the arts, Basingstoke, Palgrave Macmillan, pp. 1-7.

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