Kluwer
Time in post-modern fiction
Vol. 86
Raymond J Wilson
The source, form, and goal of art in Anton Chekhov's The sea gull
Vol. 109
The secret place of literary creativity in John Fowles's
Vol. 51
The philosopher's pupil, Iris Murdoch's post-modern allegory of the creative process
Vol. 106
The phenomenology of ethical criticism
Vol. 85
The pain of the seer in the civilization of the blind
Raymond J Wilson, Jerre Collins
The disenchantment of the sky in Tom Stoppard's jumpers
Vol. 112
The comedy of the false apperception
Vol. 56
The broken allegory
Vol. 41
Jerre Collins, Raymond J Wilson
Striving and accepting limits as competing meta-virtues
Vol. 96
Ricoeur's "allegory" and Jakobson's metaphoric/metonymic principles
Metaphoric and metonymic symbolism
Vol. 75
Metaphoric and metonymic allegory
Vol. 42
Measure or excess
Vol. 97
James Joyce's "Ivy day in the committee room" and the five codes of fiction
In first century Rome
Heidegger's "The origin of the work of art" and the phenomenology of meter
Vol. 69
Gardens in Stoppard, Austen, and Goethe
Vol. 78
Gail Godwin
Vol. 99
Existence and historical fabulation
Causes of unhappiness in Dickens' Little Dorrit and Fowles' The French Lieutenant's woman
Vol. 62
All my sons
A phenomenological theory of literary creativity
Vol. 92
"et in arcadia ego" in John Fowles's a maggot
Vol. 44
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